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The script for Casino Royale worried director Martin Campbell. This was his second reboot of the James Bond franchise, and on the cusp of production, he realized the movie’s centerpiece — a showdown between 007 and the blood-eyed villain Le Chiffre — took place around a quiet poker table. Loosely adapting Ian Fleming’s 1953 novel of the same name, screenwriters Neal Purvis, Robert Wade, and Paul Haggis had replaced the author’s original game of baccarat with three big rounds of Texas hold’em. The card game, they believed, made for better drama — it was known more widely, required more skill and delivered higher stakes. But for Campbell, who had never picked up a deck, it looked like a snooze.
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In January 2007, Casino Royale became the first Bond film ever to be shown in mainland Chinese cinemas. The Chinese version was edited before release, with the reference to the Cold War re-dubbed and new dialogue added during the poker scene explaining the process of Texas hold 'em, as the game is less familiar in China (this addition is reminiscent of dialogue that was added to the 1954 American TV adaptation to explain the rules of baccarat, the game featured in the original book). Casino Royale has earned approximately $11.7 million in China since its opening on 30 January on 468 screens, including a record opening weekend collection for a non-Chinese film, with $1.5 million.
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Within those limits, though, Campbell found a way to fill the tall order of introducing a new Bond to the world, a difficult task in the increasingly precarious moviegoing industry. Each cycle, a new star must be carefully chosen and vetted, put through the wringer to ensure he (and it seems it will always be a he) can carry the decades-old franchise into the future. Considering Craig has led subsequent installments to billion-dollar box office hauls, it’s clear now he was the right man for the job. But his run would have worked if the first film didn’t work, delivering on the promise of a novel era worth watching. Vesper may have been the money in Casino Royale, but, in reality, it was Craig all along.
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facebook.comCraig's performance and credibility were particularly praised. During production, Craig had been subject to debate by the media and the public, as he did not appear to fit Ian Fleming's original portrait of the character as tall, dark and suave. The Daily Telegraph compared the quality of Craig's characterization of Bond to Sean Connery's and praised the script as smartly written, noting how the film departed from the series' conventions. The Times compared Craig's portrayal of the character to that of Timothy Dalton, and praised the action as "edgy", with another reviewer citing in particular the action sequence involving the cranes in Madagascar. Critics Paul Arendt of BBC Films, Kim Newman of Empire, and Todd McCarthy of Variety all described Craig as the first actor to truly embody Ian Fleming's James Bond from the original novel: ironic, brutal and cold. Arendt commented, "Craig is the first actor to really nail 007's defining characteristic: he's an absolute swine".wikipedia.org