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It's all concerning finding out jazz language when it comes to becoming a great jazz improviser. So unlike the 'half-step listed below strategy' (which can be outside the scale), when coming close to from above it appears far better when you keep your notes within the scale that you remain in. That's why it's called the 'chord range above' technique - it stays in the range.

So rather than playing two eight notes straight, which would last one quarter note ('one' - 'and'), Bookmarks you can divide that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides size. The first improvisation method is 'chord tone soloing', which indicates to compose melodies using the 4 chord tones of the chord (1 3 5 7).

I usually play all-natural 9ths above most chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds finest if you play your right hand noisally, and left hand (chord) a bit more quiet - to ensure that the listener hears the melody note ahead.

It's fine for these enclosures to find out of scale, as long as they wind up resolving to the 'target note' - which will normally be among the chord tones. The 'chord scale above' strategy - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 evenly spaced notes in the space of two.

Now you might play this 5 note scale (the incorrect notes) over the same C minor 7 chord in your left hand. With this technique you simply play the same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).

KEEP IN MIND: You also obtain a great collection of actions to play, from 7 - 1 - 9 - 3 - if you wish to play a brief scale in your solo. However, to stop your playing from sounding predictable (and burst out of 8th note pattern), you require to vary the rhythms now and then.