Jazz Improvisation Tips

It's all concerning discovering jazz piano improvisation course language when it comes to becoming a fantastic jazz improviser. So unlike the 'half-step listed below approach' (which can be outside the range), when approaching from above it sounds much better when you keep your notes within the range that you remain in. That's why it's called the 'chord scale over' approach - it stays in the range.

So rather than playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation technique is 'chord tone soloing', which implies to make up melodies using the 4 chord tones of the chord (1 3 5 7).

I normally play natural 9ths over the majority of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' sounds best if you play your right-hand man noisally, and left hand (chord) a little bit more quiet - to make sure that the audience hears the melody note ahead.

Simply precede any kind of chord tone by playing the note a half-step below. To do this, walk up in half-steps (through the entire colorful range), and make note of all the notes that aren't in your current range. Cm7 enunciation (7 9 3 5) with solitary tune note (C) played to fascinating rhythm.

Now you might play this 5 note range (the incorrect notes) over the same C small 7 chord in your left hand. With this technique you just play the very same notes that you're currently playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).

NOTE: You likewise obtain a great series of actions to play, from 7 - 1 - 9 - 3 - if you wish to play a brief range in your solo. Nonetheless, to quit your playing from seeming predictable (and break out of 8th note pattern), you need to vary the rhythms now and then.