Jazz Piano Improvisation

It's all regarding discovering jazz language when it comes to coming to be a great jazz improviser. So unlike the 'half-step below method' (which can be outside the range), when approaching from over it sounds far better when you maintain your notes within the scale that you remain in. That's why it's called the 'chord range above' method - it stays in the range.

So instead of playing two 8 notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note into 3 '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation strategy is 'chord tone soloing', which indicates to make up melodies using the four chord tones of the chord (1 3 5 7).

For this to function, it needs to be the next note up within the range that the music remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any note size (half note, quarter note, eighth note) - but when soloing, Bookmarks it's generally applied to 8th notes.

It's great for these enclosures to find out of scale, as long as they end up fixing to the 'target note' - which will normally be one of the chord tones. The 'chord range above' method - come before any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three evenly spaced notes in the space of two.

Jazz artists will play from a wide array of pre-written melodic shapes, which are put before a 'target note' (normally a chord tone, 1 3 5 7). Initially let's establish the 'proper notes' - normally I would certainly play from the dorian scale over minor 7 chord.

Most jazz piano solos feature an area where the melody quits, and the pianist plays a series of chord voicings, to an interesting rhythm. These consist of chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and extra.