Jazz Piano Improvisation

It's all about finding out jazz language when it comes to becoming an excellent jazz Piano improvisation techniques improviser. So unlike the 'half-step below approach' (which can be outside the scale), when coming close to from over it sounds better when you maintain your notes within the scale that you're in. That's why it's called the 'chord scale above' strategy - it stays in the range.

If you're playing in C dorian range, the wrong notes (absent notes) will be C# E F# G # B (or the notes of E major pentatonic range). Half-step listed below - chord scale over - target note (e.g. C# - E - D). In this post I'll reveal you 6 improvisation methods for jazz piano (or any kind of instrument).

I generally play all-natural 9ths above a lot of chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' seems best if you play your right hand noisally, and left hand (chord) a bit more quiet - so that the listener hears the melody note ahead.

Merely precede any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole colorful range), and make note of all the notes that aren't in your existing range. Cm7 expression (7 9 3 5) with solitary tune note (C) played to fascinating rhythm.

Now you can play this 5 note scale (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this technique you just play the same notes that you're currently playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).

Most jazz piano solos feature an area where the melody quits, and the pianist plays a collection of chord enunciations, to an interesting rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.