Free Jazz Improvisation PDF Downloads

When it concerns becoming an excellent jazz improviser, it's everything about finding out jazz language. So unlike the 'half-step listed below approach' (which can be outside the range), when approaching from over it sounds better when you keep your notes within the range that you're in. That's why it's called the 'chord range over' strategy - it remains in the scale.

So rather than playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The very first improvisation technique is 'chord tone soloing', which implies to compose melodies using the 4 chord tones of the chord (1 3 5 7).

I normally play natural 9ths over the majority of chords - including all 3 chords of the significant ii-V-I. This 'chordal texture' sounds finest if you play your right hand loudly, and left hand (chord) a little bit more quiet - to ensure that the audience listens to the melody note ahead.

Just come before any kind of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (with the entire colorful range), and make note of all the notes that aren't in your current range. Cm7 voicing (7 9 3 5) with solitary tune note (C) played to interesting rhythm.

Now you could play this 5 note range (the wrong notes) over the exact same C minor 7 chord in your left hand. With this strategy you just play the very same notes that you're currently playing in the chord. Chord scale over - half-step below - target note (e.g. E - C# - D).

Most jazz piano solos include an area where the melody quits, and the pianist plays a series of chord voicings, Bookmarks to an intriguing rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal textures', 'playing out' and more.