Jazz Piano Improvisation

It's all about finding out jazz language when it comes to ending up being an excellent jazz improviser. So unlike the 'half-step below approach' (which can be outside the scale), when coming close to from over it appears much better when you keep your notes within the scale that you're in. That's why it's called the 'chord range over' approach - it stays in the range.

So rather than playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation strategy is 'chord tone soloing', which indicates to compose melodies utilizing the four chord tones of the chord (1 3 5 7).

I normally play all-natural 9ths above a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears ideal if you play your right hand noisally, and left hand (chord) a bit more quiet - to ensure that the listener hears the melody note on the top.

Just come before any chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (with the entire colorful scale), and make note of all the notes that aren't in your current range. Cm7 enunciation (7 9 3 5) with single melody note (C) played to interesting rhythm.

Currently you could play this 5 note range (the wrong notes) over the very same C minor 7 chord in your left hand. With this strategy you simply play the same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

NOTE: Bookmarks You also get a good series of actions to play, from 7 - 1 - 9 - 3 - if you want to play a brief scale in your solo. Nevertheless, to quit your playing from seeming predictable (and break out of 8th note pattern), you require to vary the rhythms from time to time.